Whether you’re just starting out or updating your portfolio for your next big role, a great headshot is your first audition. I work with actors of all experience levels to create images that feel real, not overly posed or overly retouched. My goal is to use clear direction to help you tap into the nuance required to create a photo that has "weight," even when you’re going for a commercial headshot.
I believe your headshot should reflect who you are at your best: confident, approachable, and uniquely you. That’s why we keep things relaxed, collaborative, and honest, because when you feel comfortable, you look your best. Want to read more about "type" in actor headshots? Head over here to read a blog post on How Knowing Your Type Helps You Book More Acting Jobs.


A great NYC actor headshot isn’t just about good lighting, though we’ll definitely get that right. It’s about connection...the moment in your eyes that says you’re ready.
I guide you into that moment with just enough coaching and a lot of listening. My goal is always to help you show up as your best, most castable self.
Every session includes:
A relaxed shoot with time to find your rhythm. You can see my rates and a money-saving option here.
Live image review on the laptop, not a tiny screen on the back of the camera, to make sure we’re getting what you need.
Retouching that’s clean but never fake. Digital photography is, after all, HD, and what does HD stand for? High definition. So my goal with retouching is to tone down the hyper-realness of digital photography.
Whether you’re going for theatrical, commercial, or something in between...we’ll create headshots that represent you truthfully and professionally.



A lot of people think “commercial” means a big, toothy grin, and “legit” means deadly serious. But it’s more nuanced than that.
You can look warm and castable for a commercial without forcing a giant smile...sometimes it’s about openness in the eyes, or a relaxed mouth. And you can look legit without staring down the lens like you’re about to kill someone. Sometimes, a small shift in posture or a wry smile is all it takes.
These categories are just tools. They’re helpful, but they’re not rules carved in stone. And you know what they say about rules. The real goal is to capture you in a way that works for the roles you’re going after.
Not all headshots are created equal...and not all cast the same impression. Depending on your goals, you might need one look…or a few. Here’s a quick breakdown of the types most actors need:



Can you tell which is the commercial and which is the legit headshot? Betcha you can!
Bright, friendly, and approachable.
Commercial headshots are the kind you’d use for spots selling everyday products or services: toothpaste, travel apps, insurance. You want to look trustworthy, natural, and likeable. This usually means good energy, clean wardrobe, and a genuine smile.
More grounded and dramatic.
These are used for film, TV, theater, anything that asks for emotional depth or layered characters. The expression here is more neutral or serious, and the lighting and styling lean more cinematic. You still need to look like you...but with more range and less “sales.” Notice in the example that the gentleman isn’t glaring; he even has a small smile, which creates that twinkle in his eyes. This is a wonderful example of what a legit shot could be. After all, nobody likes a meanie! That’s what a character headshot is for.
Think outside your default type.
Some actors like to show casting directors how far they can stretch...edgy, nerdy, tough, quirky, villainous. A character look is a creative variation, but it still has to feel grounded in truth. It’s not a costume. It’s you...through a different lens. I know to many, "type casting" is a naughty word. It’s not. It’s work! Embrace who you could be and how others perceive you.



Most working actors today want at least two distinct looks:
One more commercial
One more theatrical or grounded
From there, we can build on that based on your goals, reel, and reps.
If you’re not sure what you need, I’ll help you figure it out. That’s part of what the pre-shoot planning is for.



Contact me here to check availability or ask questions.
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